“The sound of a semi-distant train whistle could just as easily be an actual train passing through Berkeley were it not for its persistence.”
— Mercury News (2019)
“Sara Witsch uses subtle, tonal undertones in her sound design to increase the tension at critical moments without ever taking attention away from the action or the dialogue.”
— Theater Eddys (2016)
Sara discusses sound design for theater & radio both in normal theater spaces and adapting during the time of corona virus below with Shotgun Players.
“Sara Witsch’s sound design sometimes warns the girls of nearby others in bathrooms and hallways while also giving us a soundtrack of the music these girls probably stream on their way to and from practice.”
— Ruby Rae Spiegel, Theatre Eddys (2018)
“Sara Witsch’s sound design is laced with boisterous women-fronted indie rock over scene changes, plus a marvelously effective use of a Lucinda Williams number.”
— Mercury News (2018)